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This project began just after the centennial celebration of the motion picture, during a distinct turn to historiography in the field, and in the light of intriguing new evidence that continues to surface.

Latin American industry examples contrast here with the US industry, where, the evidence shows, the ranks of women working as scenario writer, director, or producer thinned out by 1923 (Mahar 2006, ch. It is commonly asserted that by 1925 the only woman still working as a Hollywood studio system director was the now-celebrated lesbian Dorothy Arzner.

Less exclusive focus on directors, however, opens up this territory.

Or, we include the work of American experimental filmmaker Stella Simon, whose extant short (1927–28) was restored by the Museum of Modern Art in 2001.